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Moroccan tile, ceramic tile, mosaic tile, Moroccan craft industry
History
It is believed that zellige was influenced by the Frumuşeni Mosaics of the Byzantines. The art of zellige flourished at the Hispano-Moresque period (Azulejo). It then appeared in Morocco in the 10th century using nuances of white and brown colors.
The art remained very limited in use until the Merinid dynasty who gave it more importance around the 14th century. Blue, red, green and yellow colors were introduced in the 17th century. The old enamels with the natural colors were used until the beginning of the 20th century and the colors had probably not evolved much since the period of Merinids. The cities of Fes and Meknes remain the centers of this art.
Forms and trends
The pallet of the colors of the zellige started to grow rich by colors which make it possible to multiply the compositions ad infinitum (see picture above). The most current form of the zellige is the square one whose dimensions are variable. Other forms are also possible in composition: the Octagonal combined with a cabochon, a star, a cross, etc. It is then molded with a thickness of approximately 2 centimeters. There exists in simple squares of 10 per 10 centimeters or with the corners cut to be combined with a colored cabochon. To pave the grounds Bejmat, a paving stone of 15 per 5 centimeters approximately and 2 centimeters thick, can also be used.
zellige craftsmanship
Zellige making is considered an art in itself. The art is transmitted from generation to generation by maâlems (master craftsmen). A long training starts at childhood in order to master exceptional skills.
Assiduous attention to detail is very important in the process of creating zellige works. The small shaped (cut according to a precise radius gauge), painted and enamel covered squares are then assembled together in a geometrical structure as in puzzle to form the final single piece.
